No Signal
Test patterns and the no signal screen, drawn at any resolution.
Pattern SMPTE color bars
The broadcast standard. The wide upper bars are set at 75% intensity, not 100%, which is what makes them a usable reference rather than just colours.
What no signal does
Test patterns are the reference images broadcast engineers use to check that a picture is being reproduced correctly, and the no signal screen is what a display shows when nothing is connected to it. This page draws both. The patterns are generated at your screen resolution rather than scaled from an image, so the bars have clean edges at any size, and there is an optional 1 kHz tone, which is the audio reference that traditionally accompanied them.
How to use it
- Choose a pattern. SMPTE bars are the broadcast standard; the no signal screen is the prop.
- Click the panel, or press F, to fill the display.
- Turn on the 1 kHz tone if you are checking audio as well as picture.
- Read the note under the panel, which explains what each pattern is actually for.
About no signal
What SMPTE bars actually check
The pattern is three bands and each does a different job. The wide upper band is seven colour bars at 75 per cent intensity, arranged in descending luminance order, so on a correctly set up monochrome view they form a smooth staircase and any error appears as a step out of sequence. The narrow middle band repeats the colours in reverse with black between them, which is used to check colour phase. The bottom band carries the pluge, three near-black patches at slightly below, at, and slightly above true black: the correct black level is the one where the middle patch is just indistinguishable from the surrounding black while the brightest is just visible.
Why 75 per cent and not full intensity
It looks like an odd choice and it is deliberate. Analogue broadcast systems combined luminance and chrominance into one signal, and fully saturated colour bars produced a combined signal that exceeded what transmission equipment could carry without distortion. Setting the bars to 75 per cent kept the signal inside legal limits while still exercising the full colour path. EBU 100 per cent bars exist alongside them for the opposite purpose: checking whether a modern digital display or capture chain clips the brightest values, which 75 per cent bars can never reveal.
The no signal screen, and why it looks like that
What a display shows when nothing is connected varies by manufacturer, but the conventions are consistent: a dark background, large legible text, and often a prompt to check the input. It exists to distinguish a working display with no input from a broken one, which is a genuinely useful distinction when troubleshooting. As a prop it works as a stream holding screen, as a joke, or as set dressing, and it is honest about being a web page rather than pretending to be a system message.
The 1 kHz tone
A steady 1 kHz sine wave is the standard audio reference that accompanied colour bars on tape and in transmission, used to set levels so that recordings from different sources matched. One kilohertz sits near the middle of the range where hearing is most sensitive, which makes it easy to judge by ear and convenient to measure. The tone here is generated in your browser rather than loaded as a file, and it starts quietly on purpose, because a full level test tone is genuinely unpleasant and there is no reason to surprise anyone with one.
Using the greyscale steps
Eleven even steps from black to white are the fastest way to see whether a display is crushing detail at either end. Each step should be clearly distinct from its neighbours. If the darkest two or three merge into one black, the display is losing shadow detail, usually from a contrast or black level setting pushed too far. If the brightest merge, it is clipping highlights. On a television this is very often a picture mode rather than a fault: dynamic and vivid modes routinely crush both ends in exchange for apparent punch.
Questions
What are SMPTE color bars for?
Checking that a display or a video chain reproduces colour, luminance and black level correctly. The upper bars check colour and luminance order, the middle strip checks phase, and the pluge patches at the bottom are used to set black level by eye.
Why are the bars 75% and not 100%?
Fully saturated bars produced a combined analogue signal that exceeded what transmission equipment could handle. 75% kept it within legal limits. EBU 100% bars exist separately, for checking whether a digital display clips the brightest values.
What is the pluge?
The three near-black patches at the bottom of the SMPTE pattern, set just below, at, and just above true black. Black level is correct when the middle one is just indistinguishable from the background and the brightest is just visible.
Can I use this as a no signal screen for a stream?
Yes. Add it as a browser source in OBS or similar, or run it full screen on the display you are capturing. It is a web page, so nothing needs installing.
What is the 1 kHz tone for?
It is the standard audio reference that accompanied colour bars, used to set recording and transmission levels. 1 kHz sits where hearing is most sensitive, which makes it easy to judge and to measure.
Will these patterns calibrate my TV?
They will show you obvious problems and let you set black level and spot clipping by eye. Proper calibration needs a colorimeter and software; these patterns are the free first step, not a replacement for one.
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